Indeed, the breakdown of style and form most clearly marks the transition from culture to civilization.
WE PAUSE over this thinking to ponder its implications. Recall that Spengler wrote nearly a century ago, when the Western avant-garde movement was merely a tiny knot of artists bent on assaulting the conventional sensibilities of the prevailing culture. As author and critic Lionel Trilling once explained, in Spengler’s time these people weren’t interested in talking to the masses. Their art was rarefied and special, designed exclusively for the avant-garde itself, those inclined to look down on the masses and on conventional thought and culture. Few at that time predicted that this avant-garde cynicism and cultural nihilism eventually would be absorbed into the popular culture itself and be accepted, even embraced, by large numbers of people within the so-called masses—the same masses under assault by the avant-garde. But Spengler saw it coming, as merely the inevitable consequence of any civilization’s transition from its cultural to its civilizational phase. - Robert W. Merry