Read the original essay at Bradova's blog here.
You are lost in a the middle of a dark primeval forest. A moonless night breathes all around you; soft rain is falling. You long to be somewhere safe, warm, and dry. A tiny keychain flashlight illuminates the immediate space — the rest is near-impenetrable blackness. Bogs, logs and wild hogs wait to trip you up. How do you find your way?
Your senses on edge, you look, listen, sniff the breezes. A faint gurgling of a nearby brook gives you initial direction. You take a step, then examine what’s around and ahead. You take another step. It occurs to you to follow the creek downstream. The next few steps reveal an impassable steep bank. A detour leads into a huge rocky scree. “How do I get back to the water?” You peer into the darkness for the flicker of a fire or a lit window…
We too are lost in the universe. And more ominously, we are lost in a human world collectively bent on omnicide. Apart from death, we have no sure destinations. Some of us cling to the illusion of control — they think they know where we must go, and how to get there. But more and more of us have taken a good look at the disastrous centuries of ending up in the wrong places, and we finally call the quest for control a big fat lie. We gather ourselves up and resolve to abandon the control-freak led stampede to the edge of the cliff. Now we need a way to move ahead that is anchored both in the honest admission that we are not in control, and in the pattern all other creatures use as they walk the paths of their lives.
Control insists on linearity, but life is complex. Do we dare to surrender to a visionary co-adaptive journey where each step is an evolutionary state that takes its shape from steps taken before? The process I see in my mind’s eye is a dynamic dance continually responding to itself. Each step illuminates the next step. At each moment in time, new circumstances emerge. Every step brings new insights, surprises, and unforeseen consequences. Each step is part of the ongoing cycles of mutual responsiveness; it accepts feedback from the current whole and passes on feedback in its turn. One state flows into another.
Unplanning is a spiral, dynamic, unpredictable process that begins with a hunch, and evolves from there. Dreaming, doing and becoming form one seamless flow. The initial inkling of a vision does not remain static, but glows a bit stronger with each step taken. The tentative first steps merely begin the process; they do not determine it. Modifications and adjustments are made at any point, as the need becomes apparent. And each new experience undergone changes us as we come to embody the life of the path.
The unplanning process requires of us that we gradually become the kind of people who know how to inhabit this unfolding future, who are able to reach a desired place, where-ever it turns out to be. Visioning, walking, and self-changing go hand in hand; behold, a pilgrimage. Wisdom is in flux, mutually situated and actively embodied. We come to be more and more the people whose path harmonizes with that which we hope for, and that which we hope for evolves right along with our continuous becoming.
The process itself changes people — as all experiential, experimental journeys do — and people come to gradually embody that which draws them on. We don’t know where we’ll end up, trusting the process to emerge each particular end-state as a surprise.
No imaginary picture of the future controls our conception of what must be done. What must be done arises from the needs, problems and possibilities of the living present. The direction emerges gradually from the felt vision, the doing, the becoming, step by step by step.
In our profession of architecture there is no conception, yet, of process itself as a budding, as a flowering, as an unpredictable, unquenchable unfolding through which the future grows from the present in a way that is dominated by the goodness of the moment.
— C. Alexander, The Nature of Order: the process of creating life